"Razzamatootie!" -- Dannie Richmond, "Eat that Chicken"
“Someone is counting his goats,
a man is singing his goats out to pasture
in all that is left of language.”
—Billie Chernicoff, “Mongolian”
Enough is enough already in clear circles
of adamant exclusionary inaugurational
blues, no touch being a sign of time’s
tick and preexisting catastrophe though lessons
of a figural nature still circulate
in non-ticking folds of it,
images ever ready to leap
into the frayed story with suggestions
of god-play and other non-human
contributions to the party hauling along
worlds of unexpected passion
out of distant reaches of dream, memories
buried under mountains of light
Let me start
again, I want you the way earth wants
the dead, though it begins to quaver
when knowledge wanders, my love
into other poems unaware the drunk guy
in the road’s broken heart was a common
ritual motif, a kind of rite wards off death,
or was it a recalled archetype once
a manly paragon whistled back, now
a little threadbare, welcome outworn, shunted
off where adorable no longer signifies,
leaves earth raped, a difference in meaning
divides the world into Pan and nymph,
then Hell and back happens and next
anti-climaxes in catastrophic rearrangement
decreed previous to Time when lover strangers
or strange lovers or . . . does it matter? no tubers
or roots ought to have it covered when time
ticks out and the end of the dance
is breathlessly announced, a reasonable termination
of love if only everyone had the program
but shatters the story into running from
or running after, afraid or not of love’s
bruised aftermath ocean heave, in the end
the goat wanders among coincidental
sheep mull around field where my love for you
scratches its head in the face of dried tears
salt-blurred letters slow focus and pain’s
wells healed over, sunk back into the dark,
leave behind bemused serial lingering grief
arguing with itself in a field of violets
as the earth rumbles and splits
ii.
The annals of inaugural folderol
brim with tales of goats and men,
split earth, strange dead ends of touch
and word tend toward image flurries
wander hand in hand through history’s
lush cruelty’s moss softened edges
of unique low country architectural
tax evasions’ picturesque setting for love’s
helpless stroll through Holy City’s streets
among ghosts of bleeding slaves and gaping tourists
The end begins in different zones
of inaugural desire, a civil war waiting
for fog to clear to get on with business
of killing, her playful touch to his
deep regions of shifting tectonic
demon passion, a perfect Mason
Dixon line right down the middle
of the table grown to mythic size in inauguration’s
annals’ revisioning over and over
who fired the first shot as answers flit
among live oak’s mossy witness to once
and ever again’s end of the road.
iii.
Wind blows out of the northwest
over the Bruce, riles the Bay, sharp blue day’s
surge and roil smashes rocks, drops strange forms
among stones on the beach hauled up from depths’
unimaginable dark, abandoned long ago
to the other side, the side where side isn’t
and what you learned isn’t what you thought
you learned, the ruined part turned into poetry’s
heart, salty, no perfect tea party arrangement
of harmonious treats and delicate little cups
on the table till dismissed to silence and a smile
on occasion across vast distances of screen, but
a Bull in the China shop, that old archetype, or say
the goat god, Pan, leaves the tea party a shambles
of shattered porcelain, battered memories
of tender times lost, and intimate knowledge
of soul’s monstrous hidden springs
iv.
“Indeed it is very difficult to understand the world as it is for, although it seems true, it is not, and although it seems false, it is not. Ignorant people cannot know the truth concerning the world.”
—The Teaching of Buddha
I wants to get to the inaugurating
part but keeps getting waylaid by ancient
images boil up out of the ground
trailing shadow, rotted raiment, and singing
May’s sweet promise in the fading light
of the last day
No tubers or roots
was always the deal even mad love can’t
dent, another name for no answer to
why, not to mention where, much less
who, which dancing naked in the dark window
initiates, the other side a sphinx of love
who answers escape, each one a different
face of answer leaves hopeless to grapple
with tanks, lovers, gods, and grief
alone looking for a way through world’s
swarm of self-devouring contradictions
behind the face across the table signed
love
Sweet Melinda
The peasants call her the goddess of gloom
She speaks good English
And she invites you up into her room
And you’re so kind
And careful not to go to her too soon
And she takes your voice
And leaves you howling at the moon
—Bob Dylan, Tom Thumb Blues
Camelot’s inaugural proposition
starts to look a little peaked this far
downstream and that’s not even counting
JFK’s scam got him all that back door
nooky but changed nothing where it matters,
now down to some ragged band of poets
group online chatter resistance
to dominion’s inroads into poetry’s
restless language
But they’re all still there,
finery a little worse for wear, blurred
outlines in and out of focus where blur
coagulates another world
and focus is a face here or there across
a table, faded Guenevere being a figure
recurs in dreams of passionate union’s
unquenchable heat’s volitile outcome
as if scorched bloody end of the whole thing
tables, cups, Kings, companions
scattered in the light of love’s
Black Sun, the end of the world, and Lancelot
stupid look plastered on his face
wonders what hit him but gives thanks
it’s not that other story where Abelard
has his balls sliced off
for dallying with Eloise, still the round thing
kaput, friends cut loose, quests
canceled, no more damsels, dragons, grails
usual swath of illicit love’s twister wreckage
through trailer park reality
of hobbled Camelot being-together, Gwen
returned to previous orders unchallenged
ease among floral arrangements and fame
behind walls of untouchable silence
pissed off that Lance failed every last test, the guys
with axes, tomb’s stone slab, sword bridge
and failed assignations
the works, then ruined
everything, the whole sweet fantasy
up in smoke of his passion’s unleashed blast
left her to stagger singed, frightened back
to some other story previous to their first
gentle touch among shared love
of words
while barely coming to his senses
Lance looks for the old gang only to find
no king no buddies no Gwen no nothing just
an image of himself in flames rise from depths
of pain and hunger nestled in crannies of soul
redraws the edge of the world much closer
than he recalled among morning’s dream tatters
of an underworld banquet, a dead child
and the faded memory of sea surge
in eyes across a table
These ekphrastic poems are part of an ongoing collaboration with Canadian eco-artist, Christian Bernard Singer
It’s easier to forgive the rock
that starts the landslide than the slide
when it gets up, brushes itself off and walks away
muttering no touch no foul or some other
ordering of words attempt to dismiss recent
tumult but why sweat it when the landslide
is just a bunch of rocks doing their thing, they
can’t help it if they are under the spell
of gravity’s universal attraction
mystery, so to forgive it expects nothing
from it since it’s an inaugural chance
to surpass still simmering uncertainties’
bruised legacy and release incessant unknowable
burrowing for tomorrow’s salted blank
flourish of today’s linger, then forgive
takes on aspects of magic’s transformational
address and asks who needs their oil
changed, to introduce a whole new metaphor
against the advice of the best writers, where oil
stands for bad air and bad air stands for hurt’s
anger and resentment roil the soul
and forgive always begins at home where hurt
takes itself far too seriously to be allowed
to run the show, then forgive lets go
of animus toward rocks and gravity
that fouls each moment’s peace with its
turmoil and embraces forget’s heart
where forgive lives in peace
with the image
of joy’s first sweet touch.
Our Lady of Compassion’s harbour
from passion’s wild seductions
hear our prayers rise from wreckage
of love’s passage, grant us Hearth’s refuge . . .
“If you break it in some way, the marriage situation, all hell will break lose. What happens when the un-coupling happens? Out of the goddess of marriage itself comes this violence, the Mars, Hephaestus, the monster, Typhaon.”
--James Hillman, “Hera, Goddess of Marriage”
“Once gone down the hell hole
there’s no going back
golden reversion”
--Gerrit Lansing
It’s a long way from the Pleistocene
to the airport parking lot below
spread out against the ground like a patient
spider's lunch, husks dotted along radial
hunger’s drained ruins of predatory
Given’s blunt fate
silence beyond silence
dead love a sign seeks to mean in morning’s
mirror finds pain’s pool deep in dark of passion’s
convulsion in adhesive web of soul’s
formation where being stirs in forms unseen
since time began
It’s not that world
any more and tender whisps of love’s
touch across a fading table burn off
dissolve in furious heat unleashed
by seduction’s gentle quest to summon
Her to touch as if no consequence
could adhere to love’s play and some day
a sweet memory would drift across eons
to light age’s fading fires with a bit
of beauty in the thickening dark till
ruined it made its entrance
in passion’s tapped gushers unexpected
Blowout, reminder of the autonomy
of the Inhuman bound with us in
adamantine chains right out
of a Blake poem, still
she was no monster, I was no child
and gifted First Time’s thrill in rituals’
aroused passage through elder
beauty’s promise of penetrant touch
beckoned
a word suggests the lure
of mermaids on rocks, and in fact the wreck
of the Edmund Fitzgerald couldn’t hold
a sputtering candle to ensuing passions’
Category 5 leveling of several states
of mind left love lost in maze’s baffled
silence and distance beyond
any possible touch
“The devil image still haunts in our fears of the unconscious and the latent psychosis that supposedly lurks there, and we still turn to methods of Christianism – moralizing, kind feelings, communal sharing, and childlike naivete – as propitiations against our fear, instead of classical descent into it, the nekyia into imagination…”
—James Hillman,
If you put Persephone up against Jesus
10 rounds, no holds barred,
both responsible after all for inaugural
moment’s lush magnolia profusion this
bright April morn, the day after Easter
which you’d think would be simply
joyous what with the Star back and green
world popped again, but with Jesus it gets
tangled up in onward Christian soldier
war vibe, all vanquish this and conquer that
where this and that mean Death which apparently
is really bad to the point
Jesus has to beat the crap out of her
every year, vanquish her like he did
all those heathens, and all the Jesus fans
perched ringside yell sock it to her or whatever
they yell these days when they think their boy has
Death on the ropes which might make sense if Death
stood for eternal money worship soul-death
screams from the side of the road
waving an AR in terror the loss of their stuff
would mean when meaning has contracted to a small
angry protuberance on history’s oversized
American ass, but it doesn’t, instead
expresses horror at moving on when you’ve
done nothing here but foul the earth in the name
of holy accumulation of more stuff
than you had before and really hope Jesus
can vanquish the motherfucker who wants
to take it from you, or maybe you from it
tho it doesn’t matter cause it’s your stuff either way
and He’s dancing around, bobbing, weaving
then suddenly
takes a right jab to the chin
from Persephone who uses a familiar
trick to burst out of the earth just when Jesus fans
think he has conquered Death and pop him
in the snoot
Slow down, lover, she says
shaking off shadow shreds, what’s your problem
with death, anyway, and I don’t mean
soul-death, Jack Spicer’s death-in-life, not
my bailiwick
I mean the plain old dust-
unto-dust business feeds your enterprise
endless stream of souls terrified my soft
touch will interrupt them before the finale
of White Lotus season 12
I think it’s all
that really nice lightandlove stuff you sell
to hold off the dark, no, not just the dark
but who you are (you’re telling me you don’t
have Daddy issues?) once the border slips
its leash, containment strategies collapse
and hungry ghosts boil up, demand
to run the show
but Jesus dances
out of reach, smiles, bobs, speaks
of fishes and watery wine, the Kingdom
of Heaven hanging over the whole thing
like some bank of big old klieg lights shining away
somewhere in space where you get to be
once Death is vanquished
but Death she says
as she caresses his bloodied face, plucks
a thorn from his brow, makes it so sweet, faded
lilac memories in fragrant April’s acute bloom
and since you were nothing before you popped
into the world through mom’s spread legs
why should you be more
when you pop out
into my unvanquished
arms
How much sense you yield to G
depends on weight delight bears
in sounding’s jubilation, whooping
and yowling being a bit over
the top for a little alliteration
but expressive of expanses
of fragrance in a different mode
Blake had at the centre
each flower opens to eternity
in tonic resolve despite chaotic
avian sky inscription soul reads
in blank January dome
Og and Anak
sneak into the poem through the Blake
door along with swarms of vultures
rise out of auguries into formations
roil with malice dedicated regimes
of pain and demonic release shaped
world in self’s paralytic image
WhataboutMe all dressed up
as monetized christian lollapalooza,
mostly because their names are cool
Og and Anak, which is how they got in
here trailing unknown clouds of Ugaritic
inscriptions, old Amorite theology,
and Nephilim’s Transjordanian
monolithic giants’ Cyclopian walls.
Augmented auguries continue
to overproduce alliterating thrills,
hope for sense to justify alphabetic
jouissance, more than just relief from
bowl-of-shit-news’s daily dish as Empire
once again crumbles around us as did
the Achaemenid, Ayutthaya, Akwamu,
and Angevin Empires and we’re not even
half way through the As, get used to it, waves
of resentment’s engorged rage and lust
for inflicted pain’s intimate contracted self
affirmation’s satanjoy, that and unrestrained greed
seem to be the order of the disintegrating
day, an Ahrimanic energy flare leaves
channels out deported and abandoned—
enter Og and Anak
to lock down further glimpses of sky’s
sky and strip G’s repeated delight
from orders of knowing.
No question, it gets downright nasty
out there, a world of pain and suffering
but claims
the world is broken
serve the same old inflated sty
in your eye loss of vision leaves
Perfection (Human brand) to lurk unspoken
in unbroken’s necessary Whole
which just happens to hang out right
around the corner, it’s a kind of well-lit
whine, really, that they could have done it
better given newly inaugurated body
of knowledge’s collectibility
and same old blame it on evil matter (mother)
sleight of hand
What you see is what
you get, a lot of what you can’t see, too, all
of it, and the goat god could care less for your moral
loveandlight schtick and fantasies of salvation—
salvation? really? save what?
through a “body of knowledge”?
The minute knowledge is assigned
its body, body-experts arrive, elbow
knowing, transitive, out of the way
and tell you what it means and which whatever
came first as if it was written down
a long time ago and all that remains
is to read it
and then
transmogrify
your apocryphon,
an obscure arcane ritual known
to juice up the gneo-gnostic purple prose solution
to some unfathomable metaphysical
problem, if that tickles your fancy, and leave
the broken world behind on your way
to unbroken world, the secret in plain sight
Og and Anak hide behind
Silly augmented auguries
inaugural jubilant alliterating
may not be enough to get you past fallen
if broken is your thing, but in Duncan’s
elemental churn of What Is nothing’s
broken since everything’s as it is
becoming, horror joy pain ecstasy war
peace ignorance wisdom love rage broken
unbroken cruelty kindness and tenderness
all the darkness in your own soul
you find around you and would ban
from touch according to protocols'
coded commandments, to get beyond that
Olde Booke’s
inscribed exclusions means
to leap
into blossom’s augmented
inaugurating fact’s
petal perfect open
“We are lived by powers we pretend to understand.”
—W. H. Auden
“To be quite honest, it’s just a fucking brownie.”
—Chef Kwame Onwuachi commenting on The Cosmic Brownie
Birds scatter into the poem every
which way, swallows, wrens, vultures, and geese,
eagles of course, etch indecipherable
prophecies on the sun's face
as raven’s stark slash
interrupts the sun, speaks of god
knows what, fire perhaps
quickly erasing whatever settled illusion
of happy mastery in the roar
of our own vast indifference to light
stone, water, earth, scent of smoke
the news, travels fast littered with Hittite
names for house and tenebrous allusions
haunt chiaroscuro implicated
announcement of earthquake, plague,
tempest, corruption, war and collapse,
a veritable catastrophic kit
and caboodle, ultimate doom prophecy
undone by children’s laughter
down the beach on the verge of the Bay
Yeah, but what
do kids know about the Council of Trent
and inquisitory constrictions condemned
art’s knowledge of humandivine
matter-of-fact-god-joy’s last
supper’s good food and good
company, one eye on Gethsemane,
the other on the wine to a feast in Levi’s
house (landed Veronese on the Hot
Seat, too much imagination
for the Bishop) opens a geography of world
secretes its own light, earth of emerald
cities, geosophical co-ordinates entwined
cross-roads’ limbs heave with joint passion,
a word emerges from suffer to point
to mind of uncertain compass in heat
of caring’s embrace of matter of fact
That old butterfly flap to tornado yarn
haunts current street’s dawn peach glow,
so still, waiting for the wave to hit, far away
joyboys disconsenting the liberal consensus
to activate lower regions of imagination’s
infernal geography disgorge gangs
of pain monkeys, impish creatures pour
from Moloch’s anus to inflict
maximum suffering on the poor
suckers who empowered them in the first
place and turn the joint over to
The Lordly Ones ™
who aim to reconstitute the Constitution
in the name of Divine Right of the Strongest
to kick the living shit out of everyone else
and make them thank God for it
“Beauty and Justice are alike in that humans do not make them. They make us human.”
—James Hillman, Aphrodite’s Justice
“—this body made of this place
now silent but for all the night of metallic sound,
keeps strict visual contact, which is like memory itself—
as the McDonald’s truck takes off, puffing the air brake—
while the flesh connected to the mind is all blind
as in any religious (Praise the Lord) mystery, how can I
be here without where? Oh yes, Tender is the Night.”
—Jack Clarke, “The Butterfly Sleeps under the Temple Bell”
Where you wake up is where you begin
with or without angelic attendance
though that often has to do with how
you wake up as much as interdimensional
visitation rights
Day’s grey face a sign
of yet to be determined inflections
of nasty weathers stuck in today’s craw
anima mundus
as conjunctio monstrum
Your hyper-bio-what-not is fine
and dandy, Jack says looking in from
1987, but it’s over and left you
looking back, pay attention to your
reactivated orientation and it doesn’t
much matter where you are, a Best Western
in Bowling Green or sick bed at home,
Polaris in your heart knows which way
is loose, beats the hell out of non-somatic
thralldom to a scentless hell of words
miss their mark every time, returns again
and again to rehashed encounter
with vanished meaning, well, not meaning
itself which wouldn’t be vanished,
but say the blank stare and cardio
excavation site left behind, though Jack
reminds me it’s not really mine, more like a sign
of the storm churns in moment’s heart, unfolded
frenzy for glib promise of tomorrow
dressed up as yesterday, all shiny and run by
somebody good
It’s an invisibility he says, stirs
within visibilities so don’t take it
personally, or maybe it’s both ways
around since both are caught in current
circulates through days’ recent
Thanatos eruption renders the demos
yearning for a state of great again
acidic segregated spiritual
rigor mortis leaves Beauty and Justice
outside looking perplexed
by the Geist’s insistent backward
Zeit lurch into a stall of perpetual
cruelty and mean-spirited exclusionary
pale face hate outbreak disguised
as order’s wholesome missionary
position orphans human
in some desolate 14 the century
lockup
It ain’t the first Time, hon,
and it surely ain’t the last
but that’s not much solace when the King
in the grip of unadulterated testosterone
overdose bolts up in a rage leaves
the Queen subject to random declarations
of dependence and constitutional
subjugation to hormonally challenged
avatars of chaos, unhappy dropouts
from MIT, always lurk around somewhere
but freed to really fuck things up in the name
of the same self got Lucifer in that big
Dustup back in the day when it all
seemed so hopeful before the Black Sun
rose and I took over, all damn the torpedoes,
fuck the boss and toss the bloody tea
in the harbour, Milton had that down,
then the Shit hit the Fan
left us subject to mass distribution
of declamatory hails to individual
stupidity which Schelling located
at the origin of being only to have
his hand slapped by Hegel who couldn’t
handle the thought of imperfectible evil,
but then he never had the pleasure
of meeting current dark angel eruption
and what is this Satan after all, that tears us
away from Eternity’s call to bring
mind to attend to who’s speaking not
lose your lonely I in communion’s
mindless rhetorical sway