"Razzamatootie!" -- Dannie Richmond, "Eat that Chicken"
“The dark blue of the Madonna’s robe bears many shadows, and these give her depths of understanding, just as the mind made on the moon has lived with Lilith so that its thought can never be naive, never cease to strike deep toward shadows. Blue protects white from innocence.”
—James Hillman, Alchemical Psychology
“The soul spans geological time, discerning and detached . . .”
—John Clarke, “The Bridge”
i.
She returns from dream—draws
me into the blue I
hadn’t seen before
stands there still
in brittle winter night,
hooded face turned to the Moon
etched in black sky,
enveloped in a cloak white
as snow-covered earth
nothing
stirs, no
animal scratch
no howl or hoot
no wind clatter
in naked trees, the cast
of light from the fat moon
blued with shadow
clings to hieroglyphic
branches between them, sacred
writ of sun, storm, twiggy
nets of Time’s mystery
scrawled across black sky
She knows the Moon,
cold January Moon,
She and the Moon
are one thought
of this deep yearning
toward frigid night’s
mute blue rapture
ii.
The mystery of the blue moon echoes
through stories of stories and fun
in the face of Truth’s rectitudunal restoration
of volcanic emission’s hard particulate
matter to the place of honour in Hall
of Knowledge, leaves tales of excess
lunar measure to languish beyond the pale,
then mystery slips into mastery and the jig
is up for the trees, etc., the jig itself,
a mystery of dancing measure, stumbles
into shadow
They say a squirrel
could stroll from Lake Erie
to the Louisiana bayou and never touch
the ground before we abandoned cosmos
for Nature, left it belly up by the side of the road
so why not cut it up, wrap it in plastic
post it for sale in Facebook marketplace
though if you listen with care
once in a blue moon
still opens into mist shrouded
forest floor, shroud an unexpected
entrance of deah into moon’s muted light,
Artemesian revelation
in monthly intervals aperiodic
surplus whose rhythm is beatitude,
this excited repose
Introduction: Down
“It’ll be no use their putting their heads down and saying, ‘Come up again, dear!’ I shall only look up and say, ‘Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up — if not, I’ll stay down here till I’m somebody else’ — but, oh, dear!”
—Lewis Carroll, The Adventures of Alice in Wonderland
“Is there still any up or down?”
—Mark C. Taylor, Erring
The drain yawns in a clock-wise swirl,
faces out of dark claim, clamour, hoary
pain beyond child’s petulant insistence
on wronged, woven through the marrow
of each explicated world in lightning
flashed coherence swallowed by time’s
maw, imperfectible beauty of down’s
endless throat
You have to start somewhere
some clutch at the whirl of junk—prophetic
images, random poems, initiation
rituals, green eyes through the fog
of love, a cloaked woman in winter
woods, betrayal’s sting, saffron gifts
and the surprise shock of a young heart’s
passion pulsing (the reddest
rose unfolds) in old flesh
Down is not so much
direction as up likes to think, its own
who am I
a fact of the matter, a calm down
after a stormy crossing, 4th and
2 yards to go, or being in a hole, take your
pick, a certain associational
dark renders a cast to the feeling of down
a coldhot black jewel throbbing
in your solar plexus which of course
is a metaphor though I claims to have
seen it himself
If it wasn’t down what wouldn’t be
its different story, and in the end some other
union though unionizing it grasps
at the whirl seeks to clear up the shower
of necessary cardiac shards left behind in wake
of duplicitous colloquium on the return
to 2000-year-old salvational
undertaking (while in the midst of history’s
furious rush past progress’s pale
into a further of yet to be determined
downs
Just try to leave the crazy
syntax to its devices designed to other
direction where other is a verb and neither
up nor a situation wants to know
who you are when pretty soon
no one will know Sophia, neither
Novalis’s squeeze nor Loren in this cosmos
of incarnated eros formations
and who she meant
tho Aphrodite will endure and I
will roll in and break on Folly Beach arrived
from lord knows where
a restless pattern moving through some
medium till the crash when world ends
and long-ago words
wash up at my feet—
fact of wave
moving through
sea water words, too,
where this began nothing moves
but what's not there
True, up is
usually half the deal, a ritual touching
in fresh light, each morning reaching out, if only
with electrons disguised as words along a wire
of desire
pulled up and up until the coaster climbs
to the highest ridge of dark where story
has it a sailor stood up at the summit
got his head sliced off by the big
sign at the top and then it’s just
hands up and scream
all the way down
Down
This is the introductory poem in a new book project called Down the Drain --A Glossary of Aperiodic Excursions in the Key of Blue
These ekphrastic poems are part of an ongoing collaboration with Canadian eco-artist, Christian Bernard Singer. See more of Singer's work at Green Cube Gallery